“Hidden stories is a monthly radio show which links hidden, obscure or untold stories to postcolonial narratives and music. “
An almost documentary like compilation of audio recordings and music that bring to light untold environments. It is very interesting to see the perspective Osman takes in presenting the stories that seamlessly transition into interviews to music that represents the narrative of the story being told. I wonder how Osman presents the work without a subconscious artistic bias? How does one present a political issue truthfully and unbiasedly whilst also having their own perspectives, ideas and history implemented into the work? does that dilute the reality of the situation being presented? How do you present politically important perspectives whilst being an artist with no political and activist experience , without creating something that feels untrue?
Personally, I find the idea of creating your own narrative from the ends of a political situation a bit misinformative – however the same can be said for any peice of art that stems from a political situation or event. It can be argued the perspective of the artist is just as important as the information they use – and that their perspective is what makes the piece unique. An important representation of the artists ideas and view on the topic is also necessary for the narrative of the work, especially for someone like this. Who you interveiw, what type of music you add and the dialogue presented in the work all matter in presenting the socio-political issues being faced.
“to become an active listener, you have to shut up first, which begs the question of whose voice is always being heard and whose isn’t. Having different layers of sound allows us to unpick these multi-layered stories, and also to play with perspective – through sound, you can have notions of past, present and future, and left and right all happening at once. “
– Pollard, Madeleine, 2019,The sounds of activism: Shanti Suki Osman, Exberliner