In this session, I decided to use the Abjad numeral system to map the audio to the multi-channel system. I experimented with seeing the ways in which the audio could be mapped and how it sounded when maps with the specific numeric values I didn’t have any specific sound decided at this point and just used basic sampled of audio to see what it would sound like. I wanted to look at the physical nature of the spatialisation in and of itself and project it as a tangible immersive experience by using the channels I planned on syncing it too (channels 7, 8 and 6)
I took into account the nature of the space in which the installation is being producer/ will be presented as well as the practice of bringing a very traditional narrative and context to a multi-channel sound system. I mapped the audio to channels 7-8 and 6 and was mostly just trying to figure out what it would sound like when spatialised.