Farah describes “Dont listen to this” from my understanding – as a way of deconstructing ideas on form and genre in sound and defining the audio in its present form – in the moment in which it is heard by the listener, moving away from the hierarchical notions of the visual and transcending beyond into perspectives of disorganization and unruly experimentation.
Farah appears to be open to disarray and unrestrained experimentation in her approach, indicating a readiness to transcend the limitations of conventional genres and forms. This perspective supports an exploration of the infinite scope of sound and calls for a more dynamic and variable relationship between the listener and the auditory experience.