
Plan to show where the audience member would sit in the space and where the screen would be.
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Plan to show where the audience member would sit in the space and where the screen would be.
cymarics based installation following research into the way in which water interacts with sound as well as adding on to idea 2. The main idea came from the film Bladerunner 2049 and the visual motif orange water caustics associated with the film. I want to use a subbass to to manipulate the water with light causing caustic patters to reflect onto the glass and illuminate the room.
(above) inspiration from Juiliano Obicis peice led to a visual based idea that used coloured glass window panes (below) bench installation that featured contact mics that would play different notes based on which contact mic was hit.
Initial idea for a quad channel piece in the garden that featured the fire pit in the centre of the space.
“Sound art installations come in various forms, and this metallic ball piece is an excellent example of how something so simple can be transformed into a masterpiece. Trend Hunter Kamal Musharbash talks here about the piece, titled The Wave of Matter. This modern artwork makes the sound of waves when pushed back and forth, creating a calming effect.“
I really like how much of a visual piece this is, it combines both senses so well, blending a harmonic synthesis of both visual and sonic coherence which is what seems to create the calmness of the piece. It is both as visually satisfying as it is sonically.
“For our project, we created a Nature-Themed Interactive Installation containing both audio and visual elements. Our team of four was split up based on our strengths having two people on the technical side (Adam Alcock and Henry Fulton) and the musical/compositional side (Ioana Č™elaru https://www.instagram.com/selaruioana/ and Rudraksh Bhateja). This is a proof of concept video to show the potential to make an immersive environment for the public at a music festival or art gallery space. We created this project as part of our collaborative practice module at Leeds Beckett Headingley Campus.”
Another very interactive/interaction based soundart installation using a (as described in the video) “relatable” object – a plant to create interaction. What I really like about the installation as a whole was the thought process and the technicality that went into the process of its creation. In many ways – it felt both as organic as planting a tree but as synthesised and calculated as building a machine.